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What would you get if you serviced 10,000 tube amps, built several thousand tube amps and spent 7 years tweaking an amp to tonal perfection?

Introducing the “K” Spot - All Tube Guitar Amplifier from Kendrick Amplifiers

Specifications:

One 12" Kendrick Premium speaker

Matched Pair of 6L6 Output Tubes

Four 12AX7 preamp tubes

All Point-to-Point Construction

All Tube Circuitry

Built-in, 3-Knob, Hammond Spring Reverb

100 year old Antique old growth pine cabinet

Choice of Covering: Lacquered Tweed or Tolex

Incredible touch sensitivity

Thirty Five Compelling Watts

K Spot
 
Quantity in Basket: none
Code: KEN01-K-SPOT
Price: $2,895.00

Shipping Weight: 50.00 units
 
 
 
Quantity:
 

The Kendrick K Spot, Kendrick's most popular point to point handwired amp, weighs only 35 lbs. The tone is phenominal. Turn it up and pick light, and you can get that vintage, bell-like, clean tone that can only be gotten with a tube amp. Pick a little harder and you'll hear some hair around the edges. Pick yet harder and she will snarl at you; but lay in to that pick attack and she will break into a controlled feedback sustain. These tones can be easily manipulated with only a difference of how you happen to feel. There will be times when you feel like the amp is reading your mind because after a while it becomes you. I know that seems strange to say, but ask anyone that owns one and be prepared for a sermon. You can have a huge sound, but without having to schlep a big rig to achieve it. All Kendrick K Spot Combo amplifiers are built with ultra lightweight antique pine and a Kendrick Brownframe speaker! The tone of the K Spot will cut through a mix and hold its own with amplifiers rated for three times the power. So lightweight your girlfriend will want to carry it, yet so big sounding it will compete with a full stack.

Cabinet made from 100 year old Northern Pine beams that have been cut and planed into 1"x12" boards. This super-resonant design has the side effect of weighing only slightly more than Balsa wood.

Here's what some owners have to say:

“ I've wished all my musical life for an amp like this. When I first got her, I put her through the test. Spent more time with her than my wife. I played blues gigs, jazz gigs and everything in between gig with this amp. She does it all. It didn't matter what kind of guitar I used. In fact, this past weekend I used a preamped nylon string through my amp. Wow! Talk about a warm sound. I'll bet you folks at Kendrick never had a player use a "nylon string guitar" with it. Thanks for making a great amp.”

Mike Roche San Lorenzo, CA

"Tone beyond tweed. Notes explode, then unfold with a richness and complexity that's like a fine wine. Its sensitivity to touch is psychic--you'll swear this amp reads your mind. Put it on a chair, anywhere on the stage, and it blows away the entire room!"

David Schmidt Fairfield , CT

“I can't use technical terms, but in short, it's the best sounding amplifier I have ever heard, period. It has an organic, three dimensional tonal quality to it that almost requires a special vocabulary to describe, much like a fine aged French wine. It's control panel is simplicity in its elegance. The 100 year-old-box and my choice of aged tweed has people who see and hear it think it's a vintage amp.

Joe Millstone Tucson, AZ

I own a few 50's tweed Fenders and have access to almost every model made in the 50's and 60's. My new Kendrick sounds as good as the best Bassman ever but is the size of a Deluxe. I have played it every weekend (sometimes four nights a week) for the past year and have not had one problem. I would recommend this amp to anyone who likes that tweed sound but wants it in a small package. If anyone in the Chicagoland area needs to hear one to believe it they are welcome to contact me or to come see my band.

Steve Reynolds Worth, IL www.StraitSouthern.com 56strat@comcast.net

I just had the pleasure of using my new Kendrick while jamming with Van Wilks and Scott McGill (the original test pilot) at the Rhythm Room in Houston, doing a simulcast on KPFT. The amp holds it own even with a 50 watt Marshall on the other side of the stage. Afterwards, Scott said he was going to call you to order a new one. I am also using it as my recording amp of choice. It responds well to single coil and humbuckers – just turn it up and play off the volume knob, from crystalline bell tones to a rich crunch with harmonic overtones and controllable feedback, without loss of high end at low volume. Awesome amp in a small package, built like a tank, superb appearance. Thanks for the tone!

Big Al Bettis Houston, Texas


MP3 Demos of this amp:

A little History on this Amp

Back in 1993, Scott McGill ordered a Kendrick 2112 amp (our version of a 5E3 Tweed Deluxe). Scott plays all over the country and works 4 to 7 gigs a week and has done this for several decades. Scott wanted a small amp, light in weight, that could go easily from gig to gig and yet have a huge sound.

After a few weeks, he came back and said, "This thing sounds too much like a tweed Deluxe, it overcompresses 'the front' off the note. I am a fast player and the amp can't keep up with me. I need some sting." I beefed up the power supply and changed to some tighter output tubes. This satisfied him for about a month.

He then came back and said that some of the rooms he played in were boomy and he needed a bass control to roll off some of the boominess. We changed it to a one channel amp with a treble and bass control ( stock setup was two channels with a single tone control). This made him happy for a while and then he decided he needed built-in three-knob reverb.

We added the Kendrick three-knob tube/spring reverb to the amp. He loved it but came back a month later and wanted the amp to "hold together" better. We changed to a more powerful speaker.

The amp was played consistently for 9 years, and during this time he would simply change tubes about once a year. We would get praise emails about his tone from people that heard him in different parts of the country. And then, a year or so ago, he called and told me, "If you could get just a little bit more headroom out of that amp, and a tiny bit more volume, with just a "C-hair" more punch, you would have the absolute best guitar tone in the world. I replaced the power and output transformers with bigger and beefier ones and changed the output stage to 6L6's. I also beefed up the power supply even more to get more punch on the front of the note. The amp can be turned up to the point of overdrive, but by simply rolling down the volume control on the guitar, the tone cleans up to a piano string clean. Most amps get dark when the volume control on the guitar is rolled down, but not this amp. It retains the highs even when the volume of the guitar is turned down. This allows for that jangly, bell-tone clean sound that every guitarist needs. Yet the overdrive is organic and smooth.

Now I am offering replicas of Scott's amp as a new model: The Kendrick K Spot. But the new K Spots will be even better, because they will be made from 100 year old antique pine! (Scott's was made before we knew that antique pine sounded better than new pine.)

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